![]() At the same time, the hand-to-hand killing and committed, communal warfare of these multilayered tales offer a passionate alternative to the materialism, mechanisation and individualism of Victorian society. Violent touch, associated both with creation and destruction, is invested with moral nuances that shift the focus of meaning from the supernatural or spiritual to the corporeal and textural. The rediscovery, starting in the late eighteenth century, of Oaxacas magnificent pre-Hispanic tombs and artifacts many associated with the ancient Zapotec. While most of the few scholars to consider these early romances have briefly noted, but not examined, their focus on battle, death and mutilation, I will suggest that their central preoccupation is the development of identity through the physical violence of combat. : The Art of Swordsmanship by Hans Lecküchner (Armour and Weapons): 9781783270286: Forgeng, Jeffrey L.: Books Books History Military Try Prime and start saving today with Fast, FREE Delivery Buy new: 110.99 List Price: 120.00 Save: 9. They engage with contemporary debates about mind and body, violence and war, and offer a disturbing and culturally disruptive vision of the relationship between violence and selfhood. This essay will argue that the stories' portrayal of visceral, corporeal violence as a form of intimate, transformative touch goes beyond the interest in knighthood common to much nineteenth-century medievalism. Between the showy chivalric pageantry of the 1839 Eglinton tournament and the literary appearance, in 1859, of Tennyson's Arthurian Idylls of the King, William Morris published his first romances of medieval knighthood and battle. ![]()
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